In late September 2024 I was delighted to have my panel of 15 African safari wildlife images assessed as meeting the standards for the Associateship of the Royal Photographic Society (ARPS).
I had been awarded the RPS Licentiate (LRPS) back in March 2019. The ‘A’ is more detailed, specialised and technically demanding, and the candidate submits a print panel of 15 images in one of 9 genres, comprising a coherent body of work or project, a written Statement of Intent and a Presentation Layout.
The genre I chose was Natural History Photography: “photography which illustrates an element of the natural world within an unrestricted, uncultivated and untamed environment”.
Below I have posted the panel layout, my Statement of Intent and the individual images, captioned with some detail about their content and where they were taken.
I’d especially like to thank and acknowledge the great expertise of my 1:1 mentor Ann Miles FRPS, fellow member of Cambridge Camera Club, whose patience and guidance were absolutely crucial to my photographic development to achieve the award. I’m also extremely grateful to members of Cambridge Camera Club’s ‘Photo Forum’ for very helpful discussion of individual images, especially Dr Ian Wilson ARPS, and to Mick Durham FRPS and Andrew McCarthy FRPS who ran the Advisory Day I attended.
My Statement of Intent:
“I have been captivated by African wildlife since my first visit to the continent in 2011, and my aim in this print panel is to illustrate a selection of the animals that can be seen on safaris in Southern and East Africa.
My objective is to include portraits and images of typical behaviour in the creatures’ natural environments. Between 2018 and 2022 I photographed from vehicles, from boats and on foot in 10 wildlife reserves and conservancies in South Africa, Botswana and Kenya.
I worked in collaboration with my local driver/guides to maximise the photographic potential of each sighting while complying with reserve restrictions and causing the least possible disturbance to the animals and their ecosystems. No images were taken in hides, no baiting was used and none of the images are from set-ups.”